Publishing Trends

NOVEMBER 17, 2022

Lisa Beech joins Nelson Books as Director of Publicity; previously, she was Associate Director of Publicity at WaterBrook & Multnomah. Erin Fitzsimmons joins Sourcebooks as Senior Art Director for Fiction. In agency news… Ann Rose , formerly of Prospect Agency , joins The Tobias Agency as Literary Agent.

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Art Director Warehousing Recruitment Editorial 79

Publishing Trends

NOVEMBER 2, 2022

Jordan Rodman has been named Senior Director of Publicity for Vintage Anchor. Most recently she was Director of Publicity at Avid Reader Press. At Random House Children’s Books , Liz Dresner , lately Senior Art Director for Sourcebooks , joins as Art Director, YA. Lori Galvin is now Senior Agent at Aevitas.

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Art Director Portfolio Agency Editorial 62

Publishing Trends

DECEMBER 19, 2022

In agency news… Laurel Symonds joins KT Literary as Literary Agent. She was previously Literary Agent at The Bent Agency. Additionally, Fernanda Martínez has launched an editorial services agency, Fernanda Literary Services. At Little, Brown Books for Young Readers , Saho Fujii becomes Executive Art Director.

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Architecture Agency Finance Editorial 84

Publishing Trends

OCTOBER 6, 2022

In agency news, Adefisayo Adeyeye joins Andrea Brown Literary Agency as Contracts/Royalty Coordinator. She was formerly Publicity Director at Oni Press. Most recently she was Art Director at Hello!Lucky. In agency news… Keely Boeving has been promoted to Senior Agent at WordServe Literary.

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Editorial Portfolio Art Director Hospitality 44

Publishing Trends

DECEMBER 4, 2023

He previously was the CEO of The Quarto Group until 2018 and the co-founder of Welbeck Publishing Group until late 2022 where it was then sold to Hachette UK. Matt Gannon is joining HarperCollins Publishers as senior director of warehouse operations. Kelsey Manning has joined as director of marketing for The Morrow Group.

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Jane Friedman

DECEMBER 12, 2023

In 2022, children’s hardcover sales were down 12.5% Andrea DeWerd, who runs The Future of Agency and has worked in marketing and publicity at three of the Big Five publishers, says that sometimes imprints spend too much on acquiring books, and “the sales simply aren’t there” to back up big advances. An art director?

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