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Checking facts with players who are still in the game

The Idea Logical Company

In fact, a big chunk of my “professional” activity these days is helping authors decide how to bring their book to market, with “through a regular publisher with an advance-against-royalties deal” being among the least likely of the possible options. (I Before that, authors often “hired” the printers.)

Publisher 312
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How to Get Emotion on the Page: 2 Most Critical Tactics

Jane Friedman

Photo by Giulia Bertelli on Unsplash Today’s post is by regular contributor Susan DeFreitas ( @manzanitafire ), an award-winning author, editor, and book coach. How had Julie so disastrously misjudged her? How had Julie so disastrously misjudged her? Join us on March 8 for the online class The Heart of Story. So what will?

Writer 135
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Your Small Press Submission Checklist

Jane Friedman

Photo by Oleksandr P Today’s post is by author, editor, and book coach Julie Artz ( @julieartz ). Here are three great resources for compiling your initial list of publishers who accept unagented work: Authors Publish : Their free magazine is full of opportunities for unagented writers. Download her Craft Your Query Workbook.

Publisher 100
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The Riyadh International Book Fair: An Inspiring Destination

Publishing Trends

As well as influencers and book fair directors, a range of industry experts populated panels, from StoryFit ’s Monica Landers and Simon &Schuster ’s Brianna Yamashita, to Amplify ’s Ken Brooks , author and Shimmr CEO Nadim Sa dek , Bentech CEO Michael Johnson (via video) and entrepreneur Miral Sattar.

Publisher 106
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Is Deep Third an Actual POV?

Jane Friedman

Join her on Wednesday, July 12 for the online class Write Powerfully in Deep Third POV. I was on a writer’s forum recently where an author asked for examples of books told from a deep third-person point of view. Photo by Thiago Matos Today’s post is by editor Tiffany Yates Martin ( @FoxPrintEd ). What is free indirect discourse?

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Before You Hire a Developmental Editor: What You Need to Know

Jane Friedman

To take a deep dive into the nuances of my focus, developmental editing of trade books, I spoke with longtime colleague Julie Scheina and new colleague Susan Chang , both of whom have similar training to me in that we have all worked for corporate trade book publishers. If the manuscript is in the earlier stages, I often provide a critique.

Editorial 114
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People Round Up, Early February, 2024

Publishing Trends

Julie Leung joins Random House Worlds as deputy publisher. Julie Wilson has been named director of casting, digital production platforms, and strategic partnerships at Penguin Random House Audio. The Authors Guild Foundation has Deborah Wilson join as executive director. She was previously at Disney.